“And I Looked, and Behold a White Horse: and it Projected that Rebirth was Coming,”
And I looked, and behold a white horse: and it projected that rebirth was coming, and beauty followed with it. And power was given unto them over the fourth dimension of the metaverse, to reboot with an avatar, and with desire, and with transformation, and with the unknown parallel dimension.
Collaboration with Nathaniel Eras, Derek Holguin and Marjum Oskui for California Dreams Exhibition.
Interactive sound media with conductive materials, organic materials, and video hologram installation at Kuntsthalle Fause Hannover Germany 2021
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Photo credit: Faust TV.
001001001XIP IOVXTC: Refractions and Vital Interference. Metamorphocide @1111
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Performance art/Ritual art “Reflections Refractions and Vital Interference” in collaboration with Nathaniel Eras/001001001XIP, Jeanelle Mastema/IOVXTC, and Derek Holguin/Lucd Interval at Vertexx.io Los Angeles CA. Hook suspension, body projection mapping and realtime vocal tranzmutation/processing into animal noises and generative sound articulations. Additional lighting design: Jane Angmar Mithril__id.447
Prepairing of physical/mental/spiritual perameters as an art practice for the first ephemeral perfpormance art piece with Nathaniel Eras/001xip as a digital documentation and future memory: post human mind upload works for comparison and future analization via whole brain emulation technology.
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OMNIAGLYPH
On Nathaniel Eras' latest release 'Omniaglyph', the LA-based producer further averts any notions of genre diving headfirst into deeper, esoteric soundscapes and embracing the moodier elements that have punctuated his extensive catalog by pairing transfixing mystic beauty against a bleak, industrial sonic canvas. Taking an instinctual approach to his music, Eras' creative process merges sounds, patterns, and textures intending to open discussion and connect disparate musical ideas.
With a zeal for noise, minimalism, and dizzying sense of rhythmic prowess - 'Omniaglyph' wields power with restraint reminiscent of the adventurous IDM beat science of Autechre and the gritty sound design of Lee Gamble or Demdike Stare. Riding the fine line between technique-focused drone squall and idea-propelled ambient explorations, Eras' latest is potent tangling Eastern world music elements with spectral electronics.
While much of 'Omniaglyph' is a solitary effort, there are collaborative experiments with live instrumentation featuring saxophone (Scott Page of Pink Floyd), electric viola (Kathia Rudametkin), and musique concrète tape loops (Ana Reptiliana). Eras also sites inspiration from performance art and rave culture, scenes in which he is deeply entrenched running the collaborative ephemeral art space Vertexx.io which has hosted some of Los Angeles' most interesting multi-disciplinary shows and underground parties in recent memory.
LISTEN HERE
Animated Video
VERTEXX.io 2018-2021
Founder of Creative Space
Curation, Performances, and Cultural suport for Los Angeles and Global Underground Electronic and Experimental Music scenes.Vertexx was also an ongoing collaborative project. A conceptual meta-sculpture where on people could collectively become an ephemeral art piece through time and space.
SIX STORIES/HOME 2024
Field Recordings and Sound Collage works for gobal initiative project and World Design Capitol
Whether we are designing a product, a production, a system, a service, a message, a tool, or an experience, we hold ourselves to key values throughout our design process.
HOME is an acronym that represents these values:
Human-Centered means we put people at the center of the design process, designing for the realities of user needs and desires.
Open means we are radically open to new ideas, experiences, ways of doing.
Multicultural + Multidisciplinary means we recognize that the best ideas come from diversity in perspectives, across domains of knowledge, generation, experience, and identity.
Experimental means we know that testing and trying things is what makes design exceptional. We are committed to experimentation across scales.
“HOME” IS A TRANSBORDER COLLABORATION BETWEEN SAN DIEGO AND TIJUANA THAT IS ADDRESSING OUR REGION’S MOST PRESSING ISSUES BY DESIGNING A MORE EQUITABLE FUTURE.
Listen to Nathaniel’s Field Recordings Here