Nathaniel Eras is an American multidisciplinary artist, musician, producer and film composer of mixed latino and indigenous heritage whose career reflects a sustained engagement with music, culture, and ephemeral art practices. Born and raised in Fresno, California’s Central Valley and currently based in Los Angeles and Playas de Tijuana.
With a zeal for ambient noise, minimalism, and dizzying sense of rhythmic prowess - His latest work 'Omniaglyph 0-2' is a sonic triptych that wields power with restraint reminiscent of the adventurous post-human atmospheres and cinematic pacing. Riding the fine line between drone squall and euphoric ambient explorations, Eras' latest is a potent tangling of film score abstractions with spectral electronics.
While much of 'Omniaglyph 0-2' is a solitary effort, there are collaborative experiments with live instrumentation featuring saxophone (Scott Page of Pink Floyd) and others. His body of work includes music scores for films “Drunk Bus” and “How I Learned To Fly” .
Eras also cites inspiration from experimental performance art and underground rave culture, scenes in which he is deeply entrenched in running and developing his art practice at the collaborative ephemeral art space Vertexx.io 2017-2021 which hosted some of Los Angeles' most revered gatherings in recent memory. Eras presses forward spearheading a new project “Apocateca” , is a hybrid arthouse label and diverse autonomous collective of several interdisciplinary artists and designers working in interactive mixed media projects and cultural events.
With a zeal for ambient noise, minimalism, and dizzying sense of rhythmic prowess - His latest work 'Omniaglyph 0-2' is a sonic triptych that wields power with restraint reminiscent of the adventurous post-human atmospheres and cinematic pacing. Riding the fine line between drone squall and euphoric ambient explorations, Eras' latest is a potent tangling of film score abstractions with spectral electronics.
While much of 'Omniaglyph 0-2' is a solitary effort, there are collaborative experiments with live instrumentation featuring saxophone (Scott Page of Pink Floyd) and others. His body of work includes music scores for films “Drunk Bus” and “How I Learned To Fly” .
Eras also cites inspiration from experimental performance art and underground rave culture, scenes in which he is deeply entrenched in running and developing his art practice at the collaborative ephemeral art space Vertexx.io 2017-2021 which hosted some of Los Angeles' most revered gatherings in recent memory. Eras presses forward spearheading a new project “Apocateca” , is a hybrid arthouse label and diverse autonomous collective of several interdisciplinary artists and designers working in interactive mixed media projects and cultural events.