With a zeal for ambient noise, minimalism, and dizzying sense of rhythmic prowess - 'Omniaglyph 0,1 & 2' are a sonic triptych that wields power with restraint, reminiscent of the adventurous post-human atmospheres and cinematic pacing. Riding the fine line between drone squall and euphoric ambient explorations, Nathaniel Eras' latest is a potent tangling of film score abstractions with spectral electronics.
While much of 'Omniaglyph 0-2' is a solitary effort, there are collaborative experiments with live instrumentation featuring saxophone (Scott Page of Pink Floyd) and others. His body of work includes music scores for films “Drunk Bus” and “How I Learned To Fly” .
Eras is a conceptual artist and music producer who cites inspiration from organic ephemera, spiritual phenomena, experimental digital media, and electronic music subcultures past and present. He divides his time between scoring films and collaborating with interdisciplinary artists and designers working in interactive mixed media projects and cultural events.
While much of 'Omniaglyph 0-2' is a solitary effort, there are collaborative experiments with live instrumentation featuring saxophone (Scott Page of Pink Floyd) and others. His body of work includes music scores for films “Drunk Bus” and “How I Learned To Fly” .
Eras is a conceptual artist and music producer who cites inspiration from organic ephemera, spiritual phenomena, experimental digital media, and electronic music subcultures past and present. He divides his time between scoring films and collaborating with interdisciplinary artists and designers working in interactive mixed media projects and cultural events.